Summer Writing Fun: Compose Your Summer

Summer arts camp in St. Paul, Alberta

Are you looking for interesting, inspiring programs for your children to participate in this summer? Check out the Compose Your Summer opportunity from the St. Paul (Alberta) and District Arts Foundation.

I’m looking forward to being one of the facilitators for this program. My part will be working with the three different age groups (5-8, 9-12, and 13-18 year-olds) and helping them learn about writing in a fun, active way. Each participant will have the opportunity to create a unique story setting using paint, crayons, pictures, or any other method he chooses. We will also explore characterization by dressing up in different clothing, trying different dialogue, learning about descriptive words, and discussing good/bad traits. Plot will come alive as we video, play with words, and give helpful suggestions to each other. Participants will also receive general writing tips, editing tips, and a sneak peek into publishing and marketing.

Any suggestions or questions? I hope you’ll join in the fun!

Register today.


Plot: What makes readers turn the page?

Flower Pens
Centerpiece at His Imprint Conference created by Jenna’s steapin’ Party

This past weekend I had the opportunity to be involved in the His Imprint Conference in Saskatoon, Saskatchewan. One of the sessions I attended was about plot. Tammy Wiens did a great job of helping us think about what makes readers turn the page. Here are some of the thoughts that were shared:

  1. Conflict – There has to be conflict, or there’s no story. Conflict hooks the reader; they want to know how the conflict is resolved. Tammy reminded us that over 300,000 books were released last year. She challenged us to know our competition, be better, stand out, and be unique from the very first word.
  2. Characters – Your characters dictate your plot. Stories need well-developed characters, so make sure you do a thorough character sketch before you start. Tammy shared about a “scary guy” who lived in the town she grew up in. He was the person all the kids told each other to stay away from, but at the same time dared each other to knock on his door. One day Tammy’s mother took her to meet the “scary guy” and she discovered that he was a talented gardener who had grafted different fruit trees together. She challenged us to make sure our characters are well-rounded.
  3. Dialogue – Use dialogue tags to break up the monotony of “he said, she said”. For instance: “Stop!” Jack reached across the table. Remember that every speaker requires a new paragraph. Be careful to keep your point of view consistent and make sure the dialogue matches the character.
  4. Setting – Starting a novel with a long setting description is a waste of everyone’s time. Setting should be woven into the story.
  5. Ebb and Flow – Having ebb and flow in your plot is what makes your story keep moving. There will be “rapids” in the stream as well as quiet, gently flowing water. Our plots should be the same way. The reader needs to rest every once in a while, so balance tension with release.
  6. Editing – Tammy encouraged us to find someone from a different walk of life than ourselves to edit our books. She shared an example of her story which appears in A Second Cup of Hot Apple Cider. Tammy used the words “grid road”, which are well understood in Saskatchewan. However, the editor was from Ontario and had no idea what that meant. A whole paragraph describing the gravel grid roads was added to help readers who weren’t from Saskatchewan understand what Tammy was talking about.

Are there other points about plot that you’ve found helpful? Please share in the comments below.